![]() The lenses also feature non-linear focusing and aperture scales. These matching design features allow the lenses to be quickly and easily swapped out on set or in the field without requiring camera rigging accessories, such as follow-focus equipment. These rings are in the same position across all five lenses, use the same gearing (83 teeth for both focus and aperture rings), and have the same angular rotation on both rings (160º for the focus ring 78º for the aperture ring). ![]() The SP3 lenses are constructed with hardened, anodized lens barrels, and all share similar physical design characteristics, such as the placement of the lenses' focus and aperture rings. Like many other cinema-focused lenses, the Cooke SP3 primes have manual focus and aperture, offering no electrical communication back to the camera body. All lenses share the same aperture (iris) range of T2.4-16 and feature a 9-bladed aperture. The lens line includes two wide-angle options, 25mm and 32mm, a standard 50mm lens, and two mid-telephoto varieties, 75mm and 100mm. The new Cooke SP3 primes come in five different focal length options. As such, Cooke developed the SP3 mirrorless lens series as a way to introduce Cooke Optics to a broader user base. This hasn't been a market category in which Cooke traditionally had a presence, yet they saw strong brand recognition among these creators. This mid-market/prosumer category is the fastest-growing segment of the video market, with many videographers using cameras like Sony, Canon and RED, ranging in price from around $4,000-$10,000. The company tells us that as it began to look broadly at the video market, it realized that many 'prosumer' video creators were nonetheless familiar with the Cooke brand. The Cooke SP3 full-frame prime lens series features five lenses, all with T2.4 apertures: 100mm, 75mm, 50mm, 32mm, and 25mm. This is well out of reach for videographers who don't have a Hollywood budget. For example, a single lens from Cooke's flagship S8/i line of PL-mount lenses costs over $34,000. The SP3 lenses represent a new direction for Cooke the company has traditionally focused on the premium, ultra-high-end motion picture lens market. Lenses aimed at full-frame video creators Further, the compact size allows them to easily fit onto lighter-weight gimbals like the DJI Ronin series or into other tighter, difficult shooting situations. They are smaller and lighter than traditional Cooke motion picture lenses, fitting to the more compact designs of full-frame mirrorless cameras. These new SP3 primes use an all-new optical and mechanical design tailored to full-frame mirrorless cameras. MSRP: $4500 for a single lens, $21,375 for a 5-lens set.Compact and lightweight design allows for easy use on gimbal-mounted cameras.User-changeable lens mounts: Sony E, Canon RF, Leica L-mount, Leica M-mount.Nearly identical in size and shape focus and iris rings are in the same locations across all lenses.Dual focus scale with imperial and metric markings.Additionally, all SP3 lenses share a nearly identical design and shape, allowing for fast and easy interchangeability. The small and lightweight Cooke SP3 prime lens set will be offered in five focal lengths while maintaining a consistent T2.4 aperture across all five lenses. So do consider if a slight bump in shooting speed or the ability to record 8K rather than 4K video is truly vital before shelling out big bucks.Long-time motion picture lens manufacturer Cooke Optics is expanding its reach into the prosumer video market for the first time with the SP3 prime lens series for full-frame mirrorless cameras, with mount options supporting E-Mount, RF-mount, L-mount and M-mount cameras. Mirrorless cameras start out quite affordable but prices rocket up exponentially for premium and even mid-range models. Before you pick a camera, consider the range of lenses on offer and how they might suit (or not suit) your needs. Mirrorless cameras support interchangeable lenses, but manufacturers tend to use their own systems. A bigger sensor usually means a larger, heavier camera (and often a higher asking price) but can also give you more detail, improved low-light performance and the ability to shoot with a shallower depth of field. Consider your requirements carefully before buying.įrom Medium Format to Micro Four Thirds, mirrorless camera sensors vary wildly in size. Some cameras here excel at video, others are masterful with still photos, and one or two are flexible all-rounders.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |